Hoover is a master at writing scenes from dual perspectives. Sydney and Ridge make beautiful music together in a love triangle written by Hoover ( Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse-and the strength of the survivors. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. Hoover’s ( November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.Īt first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers Ryle Kincaid is a surgeon who says he never wants to get married or have kids. Exemplary historical fiction, boasting a heroine with a real and tangible presence. Her effort to paint Elizabeth as a woman out of synch with her times-insistent on her own right to education, freedom, and self determination-pays off. Donati, a skillful storyteller, easily weaves historical fact with romantic ambience to create a dense, complex design. Even her own brother is dead-set against her marriage and has a hand in setting a fire that ultimately brings about tragedy. When she and Nathaniel finally return to Paradise, it’s only to face the hamlet’s ingrained bigotry. Along the way, she’s captured and nearly killed by the evil Jack Lingo, who is pursuing long-lost Tory gold that he believes Nathaniel has hidden away. When Nathaniel’s wounded by an accidental gunshot, Elizabeth travels solo for days to seek aid for her now-husband. The lovers disappear into the woods, where Todd tracks them ruthlessly. When she defies her father and elopes with Nathaniel, her family and the village are horrified. Elizabeth must take great pains to keep their romance hidden from the narrow-minded villagers and from her father, who wants her to marry the local doctor, Richard Todd (Todd’s ample funds could help pay off the judge’s many debts). The attraction is immediate and mutual, and the two quickly become involved in a steamy affair. She plans to establish a school where she can teach the children in the village of Paradise, but has not counted on the sexy, diverting presence of Nathaniel Bonner, a white man raised as a member of the Mohawk tribe. Elizabeth Middleton is a 29-year-old spinster who leaves England in 1792 with her brother Julian to join their father, a judge with significant land holdings in upper New York State. A lushly written first novel, set in early America, by the Pacific Northwest-based Donati.
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